A Gruene Hall tradition, now in its 21st year, where hipsters, oldsters, suits, locals and drifters mix it up to start their weekend rite (pun intended!) This quintessential Friday happy hour celebrates the warmer weather with great beer prices, prize giveaways and the best in Texas tunes broadcast live by KNBT 92.1 FM Radio New Braunfels. There’s even a very special guest interview each week. Some that have stopped by for a chat have included Ray Benson, Steve Earle, Delbert McClinton, Radney Foster, Hayes Carll and Ray Wylie Hubbard. Good times!
(Waylon Payne opens)Artists don’t really make albums like Lee Ann Womack’s THE LONELY, THE LONESOME AND THE GONE anymore. Albums that seem to exist separate and apart from any external pressures. Albums that possess both a profound sense of history and a clear-eyed vision for the future. Albums that transcend genres while embracing their roots. Albums that evoke a sense of place and of personality so vivid they make listeners feel more like participants in the songs than simply admirers of them. Anybody who has paid attention to Womack for the past decade or so could see she was headed in this direction. THE LONELY, THE LONESOME AND THE GONE (ATO Records) — a breathtaking hybrid of country, soul, gospel and blues — comes from Womack’s core. “I could never shake my center of who I was,” says the East Texas native. “I’m drawn to rootsy music. It’s what moves me.” Recorded at Houston’s historic SugarHill Recording Studios and produced by Womack’s husband and fellow Texan, Frank Liddell (fresh off a 2017 ACM Album of the Year win for Miranda Lambert’s ‘The Weight of These Wings’), THE LONELY, THE LONESOME AND THE GONE marks the culmination of a journey that began with Womack’s 2005 CMA Album of the Year ‘There’s More Where That Come From,’ moving her toward an authentic American music that celebrates her roots and adds to the canon. It also underscores the emergence of Womack’s songwriting voice: She has more writing credits among this album’s 14 tracks than on all her previous albums combined.
(Shelley King opens)Born in Lubbock, Texas, Delbert McClinton has been singing R&B, blues, rockabilly, and country for 35 years, starting on the Texas honky-tonk circuit. This soulful, roadhouse-bred musician has enjoyed such distinctions as songwriter, singer, bandleader, and harp player. His name appears in the Book of Lists as one of the top 20 harp players in the world. Delbert won a Grammy in 1991 for his duet with Bonnie Raitt, “Good Man, Good Woman,” and another in 1993 for his duet with Tanya Tucker, entitled “Tell Me About It,”. McClinton’s voice still has the uncanny ability to transport the listener to a dusty Texas barroom that’s soaked in roadhouse blues. Such are his performances at Gruene Hall . . . this Texas musical treasure’s rockin, bluesy style is all his own. And there’s a lot more good rockin’ to come from this enduring, original and ever-soulful artist.
A Gruene Hall tradition, now in its 21st year, where hipsters, oldsters, suits, locals and drifters mix it up to start their weekend rite (pun intended!) This quintessential Friday happy hour celebrates the warmer weather with great beer prices, prize giveaways and the best in Texas tunes broadcast live by KNBT 92.1 FM Radio New Braunfels. There’s even a very special guest interview each week. Some that have stopped by for a chat have included Ray Benson, Steve Earle, Delbert McClinton, Radney Foster, Hayes Carll and Ray Wylie Hubbard. Good times!
TICKETS: $35 | DOORS: 9:30 AM
The Gospel Brunch is led by Bret Graham, one of Gruene Hall’s favorite country musicians. Bret sings his cowboy style Gospel tunes and is accompanied by The Levites, an uplifting gospel band. The New Orleans-style gospel brunch also features a buffet catered by Gristmill River Restaurant & Bar.
A Gruene Hall tradition, now in its 21st year, where hipsters, oldsters, suits, locals and drifters mix it up to start their weekend rite (pun intended!) This quintessential Friday happy hour celebrates the warmer weather with great beer prices, prize giveaways and the best in Texas tunes broadcast live by KNBT 92.1 FM Radio New Braunfels. There’s even a very special guest interview each week. Some that have stopped by for a chat have included Ray Benson, Steve Earle, Delbert McClinton, Radney Foster, Hayes Carll and Ray Wylie Hubbard. Good times!
(Joshua Ray Walker opens)Across five independent albums and a decade-plus of touring, Wade Bowen has amassed a string of regional hits and awards, and also a fan base that is passionate about music. Indeed, in the fourteen years since Bowen launched his career, he’s risen from collegiate greenhorn to the top of the Texas music and Red Dirt circuit. His colleagues and friends Pat Green, Jack Ingram, Eli Young Band and others had made the major-label leap, helping to take a vibrant regional sound to the rest of America. Now Bowen is poised to bring that Red Dirt and independent spirit to country music at large. Wade Bowen’s new release, Solid Ground, blends the many flavors of Texas music into a cohesive and captivating album while paying tribute to his deep Texas roots.
Tickets: $78.50 | Doors: 7 PM
Melissa Etheridge stormed onto the American rock scene in 1988 with the release of her critically acclaimed self-titled debut album. For several years, her popularity grew around such memorable originals as “Bring Me Some Water,” “No Souvenirs” and “Ain’t It Heavy,” for which she won a Grammy® in 1992. Etheridge hit her commercial and artistic stride with her fourth album, Yes I Am (1993). The collection featured the massive hits, “I’m the Only One” and “Come to My Window,” a searing song of longing that brought Etheridge her second Grammy® Award for Best Female Rock Performance. In 1995, Etheridge issued her highest charting album, Your Little Secret, which was distinguished by the hit single, “I Want to Come Over.” Her astounding success that year led to Etheridge receiving the Songwriter of the Year honor at the ASCAP Pop Awards in 1996. Known for her confessional lyrics and raspy, smoky vocals, Etheridge has remained one of America’s favorite female singer-songwriters for more than two decades. In February 2007, Etheridge celebrated a career milestone with a victory in the “Best Song” category at the Academy® Awards for “I Need to Wake Up,” written for the Al Gore documentary on global warming, An Inconvenient Truth. On October 7, 2016 Etheridge released Memphis Rock & Soul, a 12- track album that features original material as well as interpretations of classic songs from the legendary Stax catalog, celebrating its artists and legacy and spotlighting the vital role Stax Records played in the Civil Rights Movement.
(Opening Band - TBA)It’s appropriate that Boz Scaggs’ new album is Out of the Blues, since the blues is what first sparked his five-decade musical career. In 1967, Scaggs joined the Steve Miller Band in San Francisco, performing on that group’s albums Children of the Future and Sailor, before launching his solo career with 1968’s seminal Boz Scaggs LP, recorded in Muscle Shoals, AL for Atlantic Records. Scaggs continued to mine a personalized mix of rock, blues and R&B influences, along with a signature style of ballads on such influential ’70s albums as Moments, Boz Scaggs & Band, My Time, Slow Dancer and 1976’s Silk Degrees. The latter release became a massive commercial breakthrough, reaching Number Two and remaining on the album charts for 115 weeks. It spawned three Top 40 hit singles: “It’s Over,” “Lido Shuffle” and the Grammy-winning “Lowdown.” Subsequently, “We’re All Alone” from that same album, would become a #1 single for Rita Coolidge. Silk Degrees was followed by the albums Down Two Then Left and Middle Man, and such hit singles as “Breakdown Dead Ahead,” “Jo Jo” and “Look What You’ve Done to Me.” Despite his ’70s successes, Scaggs spent much of the 1980s out of the music-biz spotlight, traveling, opening a family business, fathering young children and founding the San Francisco nightclub, Slim’s, He returned to the studio after an 8-year hiatus and released, Other Roads, Some Change, Dig, the Grammy-nominated Come on Home, the unplugged Fade Into Light, the in-concert retrospective Greatest Hits Live as well as a stint touring with Donald Fagen’s New York Rock & Soul Review. A pair of albums of jazz standards, But Beautiful and Speak Low, the latter topping the Billboard Jazz chart, demonstrated Scaggs’ stylistic mastery, as did the Southern-flavored Memphis and the rhythm & bluesy A Fool to Care.
A Gruene Hall tradition, now in its 21st year, where hipsters, oldsters, suits, locals and drifters mix it up to start their weekend rite (pun intended!) This quintessential Friday happy hour celebrates the warmer weather with great beer prices, prize giveaways and the best in Texas tunes broadcast live by KNBT 92.1 FM Radio New Braunfels. There’s even a very special guest interview each week. Some that have stopped by for a chat have included Ray Benson, Steve Earle, Delbert McClinton, Radney Foster, Hayes Carll and Ray Wylie Hubbard. Good times!